Praise:

A visionary work, by an extraordinary and important young writer. As cultures and languages mix and merge, Tomin meets the subsequent literary challenge head on, and actually makes this reader hopeful about the future of the Novel.

— Fay Weldon

The Doll is a sensuous and melodious flow of words that Tomin has mercilessly dragged out of his subconscious ... The result is somewhere between prose and poetry.

— Prognosis

Twisted Spoon's very first publication remains one of their most extreme: Lukas Tomin's The Doll. Tomin leaves his characters half-drawn for much of the book, forcing the reader to puzzle out the connections and distinctions between them. His drastic switches of style abandon cumulative effect for a series of instants, sometimes with heavily compressed plotting or circular passages of dialogue. . . The novel seeks to jolt with its odd narrative rhythms, making it a rare contemporary update of the surrealist novels of Breton and Pinget. Tomin grew up in a disident family under one of the harshest periods of communist rule, and wrote The Doll in his second language, English, as an emigre in Paris. He steadfastly refuses to ground his prose in a comfortable fictional environment, just as he refused to ground it in the comfort of his native language.

— David Auerbach, Rain Taxi Review of Books